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Thursday, February 27, 2014

Chinese Dress Story

Cheongsam is one of women's apparel, from the Manchu women in traditional clothing in the 20th century by the Republic of China to improve the Han women, the ROC government identified as one of the national dress in 1929. After the Republic of China, Shanghai, Peking and other places of Han women be improved on its basis. After 1949, the cheongsam gradually being left out in the mainland, especially during the Cultural Revolution was considered a symbol of a lot of repair destroyed capital letters. Cheongsam has two TV series of the same name, a starring Qiu Xinzhi, Tian Hairong, a starring Zhou Xun, Yunlong. Writers snow static historical novel published called "cheongsam" in. One of the traditional Chinese women's apparel, one half of the twentieth century fashion by the Republican Women of Manchu women traditional reference services and the flag design on the basis of Western culture, is an East-West cultural kneading and figurative. In the eyes of some of the existing Westerners, women dress cheongsam with Chinese cultural symbolism Gan Tingting dress according to justice. In a strong feudal ethics atmosphere, as is now generally want women exposed curve is impossible. Traditional cheongsam tailoring has been using the straight-line, chest, shoulders, waist, hip completely straight, no curves of the female body exposed. Despite the change in Manchu women cheongsam gown, or called flag mounted flag clothing, but not the flag cheongsam dress. Dress is with Chinese characteristics, reflecting the Western aesthetic, using Western-style tailoring fashion. Flag mounted Manchu women's national dress. Flag mounted mostly uses straight lines, loose clothing and body, both sides of the split, the ratio of the size of the chest and the waist of the dress is closer; cuff neckline in a large plate roll decoration. Yellow is the color of the royal Domination, people are hanged. Flag mounted colorful complexity, materials and other varieties on the diversity, like to use a high-contrast color matching. On the collar, sleeves and tuck lapel head plus a few more bright colored lace or sub-plate rolling tooth design. Because the flag is a plane loaded costumes, flag mounted disk roll became the only addition to the outer fabric design space, and therefore a multi-plate rolling for the United States. Fashionable too late Qing Dynasty had "Eighteen inserts" (ie inlay eighteen lace). Qing dress patterns mostly sketching techniques based, Lion shy Lin beasts, Phoenix crane birds, Merlin, bamboo and chrysanthemum flowers, and Eight, Eight Immortals, Gods hi, etc. are common themes. Prevalent in the early twentieth century wore horn Duanao wide sleeves, jackets placed around the land of the long sleeveless vest. Since then dress in the side, sleeve, lapel, collar, etc. made some changes to increase the decoration appears complicated changes. But still maintain the old style cheongsam vest large flat, Xi Yong traditional linear fashion tailoring, revealing no women's slim figure. Liu Yifei dress according to the late twenties and thirties, cheongsam in length, width, height and slit sleeve short-sleeved, high-necked collar and low-scale aspects of the changes has been repeated. In 1929, affected by European and American short skirts, the original medium length cheongsam began shorter hem shortened to the knee, cuff shorter smaller. Subsequently, uniform-style dress, the hem shortened to 1 inch above the knee, using Western-style sleeves. This change was criticized in 1931 after variable length cheongsam began to hem sagging. Development of extreme mid-thirties, robe bottom floor covering feet, known as "sweeping cheongsam." Original dress sleeves can be shortened to cover the wrist to the elbow. After getting shorter sleeves, shrink shoulder-length under two inches, nearly sleeveless after 1936. Qing flag pretend not to slit appear after cheongsam dress in the shorter sleeves quietly opened lower on the left side slits. Later panties getting higher and more open to the thigh knee high. Because some people oppose gown slit was back below the knee. However, a reduced pressure of public opinion, gowns panties and quickly increased in 1933 after the popular big slit cheongsam. Traditional cheongsam is a straight up and down, plus the high collar. Early thirties, waist gowns began to shrink over time, to 1934, the entire female body curves finally revealed. Tall collar and ear gradually grow shorter, and later some became collarless dress. Founded, people dressed pursuit of beauty has been completely transformed into a work of revolutionary fanaticism. Cheongsam represent relaxed, comfortable atmosphere in which the image of the lady lost its living space ...... 50's - also had a brilliant moment in people are the masters of the era, if clothes are also popular, then the dominant popular have turned to civilians. By 1956, reportedly a former Soviet leader to visit China when asked, Chinese people's clothing to reflect the new face of socialism is thriving, so the government called for "everyone to wear flower clothes. Cheongsam this time there than ever adds Healthy natural temperament is not the demon, not pro, not tiny, not sick, in line with the then "nice" standard, but more practical ...... 60,70 - been neglected for 20 years from 1966 to 1976 in "Cultural Revolution", is a traditional cultural catastrophe, disaster also cheongsam 80,90 -. brilliant difficult to sustain throughout the 1980s, people have been predicting cheongsam will be popular, especially the 1980s and 1990s, the ideal image of women there are. change, tall slender, flat shoulders and narrow hips figure for people yearning to reflect this as the most perfect body cheongsam has space for survival and development. cheongsam talk about the year greatly favored among the people will return again. But surprisingly, the dress was not popular again, but only a few people wear ...... cheongsam years has passed its peak and was left out of it for 30 years, seemed to be somewhat out of date in the homeland since the 1980s after the opening .. However, in the 1980s and 1990s was the emergence of a symbolic occupation of the "uniform dress." For the purpose of publicity and promotions, hostesses, hostess hotel restaurant and entertainment occasions and female attendants have to wear a cheongsam cheongsam monotony of this, the use of synthetic silk fabric, colorful, high slits, rough work, which is detrimental to dress beautiful image in people's minds. people in order to distinguish their own identity, but also dare to wear cheongsam a ...... modern cheongsam (12) Since the 1990s, the ideal image of women have changed. tall and slender, square shoulders and narrow hips figure for people yearning to bring China and as best female body and temperament of China Fashion representatives -. cheongsam, once again attracted the attention of foreign attention, there are many designers to dress as inspiration, launched the international flavor of the cheongsam, or even a combination product of Chinese cheongsam evening dress with the European definition more. In fact the basic shape is broad but more determined in the 1940s cheongsam changes in performance more choices in fabrics and decoration, as well as changes in the length and slit due to the location of the skirt is an important feature of the popular women's cycloid is the most important style lines in Europe, 1930s ladies cycloid has been low, but a higher waistline. skirt is characterized by the 1930s, the distinction between a sign of women in the 1920s. 1930s cheongsam also very long. 1931 and 1932, due to the impact of the 1920s is not eliminated, the higher the hem position from 1932 to 1938, has been a long dress, especially around 1934, in Shanghai, and almost to the hem The dress is very popular, which shows popular with Shanghai International Women's dress is almost synchronized. having fun on China or any fabric or decorative detail can be called cheongsam, so we can whether the lapel, collar or no slits cheongsam

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